1min 18sec.

1min 40sec.

1min 2sec. A collaborative poster decoration/destruction project with the local arts community and strangers of Nottingham. Risograph posters defaced at: Bonington art studio, Critical Hits Zine Fair, and Nottingham City Centre.

1min 41sec.

2min 18sec.

2min 38sec. Made in collaboration with Tin Yu Chow Litco.

5min 2 sec. Made in collaboration with Lily Friesen.

IMARNI BOYER-NUGENT SHORTS 2025. 1min 35sec. 'Shorts' video to include in final submission portfolio, this is the first draft so maybe there will be changes... Did you know we only have 90 seconds to introduce ourselves and practice? Here's 95 seconds. Take it or leave it

'Studio Culture' 2025, 1min 15sec.

'Milk.mp4' 2025, 1min 56sec. Made in collaboration with Lily Friesen.

'The Critic' 2025, 1min 48sec.

'Stop Asking Me Stupid Questions' 2025, 55sec.

'Moving Stills' 2025, 2min 21sec (staging experiment).

'MEANINGLESS WORK IIII (SOCKET80)' 2025, 31sec.

'Meaningless Work III (Going Nowhere)' 2025, 1min 11sec. Made in collaboration with Lily Friesen.

'Meaningless Work II (80GSM PICKUP)' 2025, 10min 16sec. Made in collaboration with Lily Friesen.

'Meaningless Work I' 2025, 1min 20sec.

'Relaxation' 2025, 1min 36sec.

'Weapon of Choice' 2025, 1min 15sec.

4min 33sec, single channel film. 2024. No Audio. In response to John Cage's 4'33"

Single-channel video. 1min 56sec. 2024. Video showing the process of '14 (SUBMERGED)' 2024 through a manipulated lens. This process video serves as a replacement for the original finished work. Displayed on 1 CRT screen.

'14' 2024 Coloured pencil and gouache on cardstock, 59.4cm x 84.1 - submerged in agar, glycerin and potato starch.

2min 31 sec. Shown on 3 CRT screens. Destroying 01, 02, 03, 08, 09, 11, 13. Performed and edited by me. Filmed by Lily Friesen

Coloured pencil and gouache on cardstock, 59.4cm x 84.1cm

40 Rorschach test lino-prints on collaged found materials: old postcards, newspapers, zine pages, and paper. Various sizes, 80 plastic-tipped drawing pins, embroidery thread.

Gouache and coloured pencil on wallpaper, 180.3cm x 52cm.

Coloured pencil and gouache on 220gsm cartridge paper. 42 x 29.7 cm

Coloured pencil and gouache on 220gsm cartridge paper. 42 x 29.7 cm (with and without background)

Coloured pencil and fine-liner on 220gsm cartridge paper. 42 x 29.7 cm

Gouache, coloured pencil, and fine-liner on 220 gsm cartridge paper. 21.0cm x 29.7cm

Coloured pencil on 220gsm cartridge paper. 42 x 29.7 cm.

Coloured pencil and gouache on 220gsm cartridge paper. 42 x 29.7 cm.

Coloured pencils and fine-liner on 220gsm paper. 59.4cm x 84.1cm

9 acrylic painted and varnished wooden signs, of various sizes and shapes, 2024.

'Regurgitate' I, II and III. A1 (33.1 x 23.4 in) prints of existing pencil drawings, spliced together using paper weaving. 3 pieces in total made from 6 prints, 2024.

A3, 220gsm cartridge paper, coloured pencil and fine-liner drawing, digitally edited to remove paper background and alter colour brightness.

Coloured pencil and fine-liner on 220gsm cartridge paper, 2024. 16.5 x 23.4 in.

Coloured pencil, gouache paint, metal nails, 220gsm cartridge paper, A1.

Coloured pencil, gouache paint, and fine-liner on 220gsm cartridge paper, A3.

Coloured pencil and gouache paint on 220 gsm cartridge paper, A3

Coloured pencil and gouache paint on 220gsm cartidge paper, A3. (Nail holes in corners from display).

Abstract squares painting, gouache paint, coloured pencils and fineliner. A2 size, 2023.

Magazine cut out collage, weaving, acrylic paint, embroidery thread, various sizes.

Embroidery thread and coloured pencil collage on fabric, 2023.

Wallpaper, gouache paint, coloured pencil, 12.5 x 17.7in.

1. Wallpaper, gouache paint, 23.386 x 33.110in (2023). 2. Wallpaper, gouache paint, coloured pencil, 55cm x 35cm (2023).

Fabric, embroidery thread, coloured pencil collage, 8 x 5in.

Inspired by David Cronenberg’s ‘Dead Ringers’ (1988), most notably the opening credits sequence. Made with acetate, paint markers, embroidery thread, and a wire coat hanger, the piece explores themes of conjoined twins, abortion, and viewing motherhood and birth through a cynical and morbid lens. The piece was made for an ongoing project delving into the concepts of ‘shock art’, and controversial or taboo themes, finding new ways to preset ideas through experimental methods and twisting the original meanings of ‘traditional objects’ (eg: baby mobiles).

Magazine cut outs, embroidery thread, tracing paper, alcohol marker collage, 13 x 10in.

Fabric, embroidery thread, acrylic paint, watercolour pencil collage, 11.69 x 16.54 in.

Plastic bag, magazine cut out collage, embroidery thread, acrylic paint, masking tape, tracing paper, 30 x 30cm.

Magazine cutout collage, embroidery thread, acrylic paint, 11.69 x 16.54 in.