Interactive sculpture. High-density foam, leather strip, metal embellishments, 2 calico tapestries embroidered with acrylic yarn, wooden dowels, 130cm x 50cm, 2x 28cm x 180cm

Acrylic wool embroidered onto cotton, wooden dowel. 72cm x 42cm. Install shot balanced on two inherited silver spoons.

'... but you can get away with anything if you're good looking' Acrylic wool embroidered onto cotton, wooden dowel.

'Nothing bad ever happens to me... except those two really bad things that did happen' (2026). Acrylic wool embroidered onto cotton, wooden dowel. 72cm x 42cm. Install shot balanced on two inherited silver spoons.

Acrylic wool embroidered onto cotton, 2 metal clips. 1m x 1m.

Acrylic wool embroidered onto cotton, 2 metal clips. 1m x 1m.

144cm x 107cm. Coloured pencil on paper, 4 metal clips

3 handmade ceramic clock bases, includes pre-made arms and battery powered movements.

2min 15sec video performance. Made using slip-casted fabrics to create ceramic 'tissues', brushed with various colours of underglaze.

Ceramic clocks turning over 2 minutes, features ceramic clock base (handmade) and pre-made arms and battery powered movement.

Acrylic yarn embroidered onto calico, 2 bronze pins

1min 18sec video, made in memory of the suspended courses at University of Nottingham.

Coloured pencil on paper, 3 metal clips, 2026.

Soap Cycle 1, image loop animation 12 sec. Soap Cycle 2, documentation of use animation 11 sec.

2 42.0 x 59.4cm pencil drawings, based on 3 ceramic clock sculptures.

Collection of 12 macro photography collages showing the front and back of various embroidery pieces.

3 12 second embroidery animations with the words WORK. REST. LIVE. DIE.

Acrylic wool embroidered onto calico, hung with metal clips and aluminium wire, smashed ceramic letters. 500cm x 150cm.

3min 48sec performance using embroidered tapestry works - in response to feedback based on value of art, women's work, and 'craft'.

63 Ceramics Letters in Various Formations 2026 63 ceramic letters, mixture of unglazed and underglazed pieces Dimensions variable I: Ceramics in a pile II: Ceramics in a spiral, underglazed pieces starting at the centre, unglazed towards the outside III: Ceramics mapping lines on the floor, placed one footstep apart

'I don't know if this is what I want for the rest of my life, but I've spent too much money to back out now' 2025. Acrylic wool embroidered on calico, 4 bronze push-pins.

Acrylic wool embroidered on calico. 45cm x 32cm

'All this self-flagellation is giving me carpal tunnel' 2025. Wool embroidered on calico, 2 metal nails, 137cm x 92cm.

'THE CYCLE (Colab PT.2) 2025 3min. I haven't spell-checked this because I can't dedicate any more time of my life to this project or I will die. Long story short, my original video was 'inappropriate' (too honest) and was banned from being displayed at the Colab exhibition. I've then been forced to re-make my video ASAP, despite having finished every element of the project, including a varied resource list, because some people can't take (deserved) criticism. I've got 2 works out of this project, so it's not all bad, and this situation has helped me work quickly - but seriously... fix this module.

'Lyndsay & Imarni' 2025 Dimensions variable Wool embroidered on calico, metal tacks. This is a work about my mother and birthdays. (April 9th for my mother, and January 21st for myself). It's hard for me to share personal artworks, but making them is helping me work through past experiences now that they're not so 'fresh'. I lost my mother when I was in primary school, but I've still received milestone birthday cards from her for my 16th, 18th, and 21st birthdays. She pre-wrote them in advance for me, with my grandmother's help when she was too ill to write them herself. I'm sad that there aren't any more cards for me to open, but at the same time, it's a huge relief, as they would always upset me so much.

Dirty Laundry 2025 95cm x 65 cm Wool, embroidery thread, metal eyelets on calico. (and 47 hours of my life). A collection of symbols and short phrases referencing various feelings and events I've experienced throughout my art journey so far. Some ironic, some bitter, and some are just plain truths. Patches from left to right: - Annihilation - Kill All Painters - Cuntstructive Criticism - I Love Nothing - Glue Sniffing Centre (sp?) - Fire Sign - Robots Fuck Me - Hotdog Eating Champ - Performance Art Is Strictly Prohibited - I Hate Graphic Designers - No Southerners - Exclamation Sign - Plagiarists Will Be Executed - Martyr For Hire - Error - Unemployable - Your Art Sucks - Death To Gmail - Will Draw For £ - Your Text Here

- ‘Rejection Emails (33 Hours)’ 2025 33 x 126cm -‘What’s In It For Me? (33 Hours)’ 2025 89 x 41cm - 'Boyer Hyphen Nugent (15 hours)' 57.5 x 26cm - ‘Why I Go To Art School (15 Hours)’ 2025 33 x 45.5cm - 'We Regret To Inform' (26 Hours)' 2025 37 x 106cm. Wool embroidered on calico.

Coloured pencil, acrylic paint, and ink. 29.7 x 42cm

Coloured pencil and acrylic paint. 29.7 x 42cm

Coloured pencil and acrylic paint on wallpaper. 42cm x 60cm

Coloured pencil, acrylic paint, and ink on graph paper. 29.7cm x 42.0cm

Acrylic paint and coloured pencil on wallpaper 2025. 143cm x 53cm

Coloured pencil, alcohol marker, acrylic paint, and metal eyelets on wallpaper. 53cm x 31cm

Coloured pencil and ink on wallpaper. 50cm x 35cm

ANNIHILATION / ABSENCE / ACTION (PHASE 1: ANNIHILATION) Digital Video 5min 58sec 2025 PHASE 1 INCLUDES: I LIKE SCREWING (2024) OFF/MIN/MAX (2024) WEAPON OF CHOICE (2025)

1min 18sec.

1min 40sec.

1min 2sec. A collaborative poster decoration/destruction project with the local arts community and strangers of Nottingham. Risograph posters defaced at: Bonington art studio, Critical Hits Zine Fair, and Nottingham City Centre.

1min 41sec.

2min 18sec.

2min 38sec. Made in collaboration with Tin Yu Chow Litco.

5min 2 sec. Made in collaboration with Lily Friesen.

IMARNI BOYER-NUGENT SHORTS 2025. 1min 35sec. 'Shorts' video to include in final submission portfolio, this is the first draft so maybe there will be changes... Did you know we only have 90 seconds to introduce ourselves and practice? Here's 95 seconds. Take it or leave it

'Studio Culture' 2025, 1min 15sec.

'Milk.mp4' 2025, 1min 56sec. Made in collaboration with Lily Friesen.

'The Critic' 2025, 1min 48sec.

'Stop Asking Me Stupid Questions' 2025, 55sec.

'Moving Stills' 2025, 2min 21sec (staging experiment).

'MEANINGLESS WORK IIII (SOCKET80)' 2025, 31sec.

'Meaningless Work III (Going Nowhere)' 2025, 1min 11sec. Made in collaboration with Lily Friesen.

'Meaningless Work II (80GSM PICKUP)' 2025, 10min 16sec. Made in collaboration with Lily Friesen.

'Meaningless Work I' 2025, 1min 20sec.

'Relaxation' 2025, 1min 36sec.

'Weapon of Choice' 2025, 1min 15sec.

4min 33sec, single channel film. 2024. No Audio. In response to John Cage's 4'33"

Single-channel video. 1min 56sec. 2024. Video showing the process of '14 (SUBMERGED)' 2024 through a manipulated lens. This process video serves as a replacement for the original finished work. Displayed on 1 CRT screen.

'14' 2024 Coloured pencil and gouache on cardstock, 59.4cm x 84.1 - submerged in agar, glycerin and potato starch.

2min 31 sec. Shown on 3 CRT screens. Destroying 01, 02, 03, 08, 09, 11, 13. Performed and edited by me. Filmed by Lily Friesen

Coloured pencil and gouache on cardstock, 59.4cm x 84.1cm

40 Rorschach test lino-prints on collaged found materials: old postcards, newspapers, zine pages, and paper. Various sizes, 80 plastic-tipped drawing pins, embroidery thread.

Gouache and coloured pencil on wallpaper, 180.3cm x 52cm.

Coloured pencil and gouache on 220gsm cartridge paper. 42 x 29.7 cm

Coloured pencil and gouache on 220gsm cartridge paper. 42 x 29.7 cm (with and without background)

Coloured pencil and fine-liner on 220gsm cartridge paper. 42 x 29.7 cm

Gouache, coloured pencil, and fine-liner on 220 gsm cartridge paper. 21.0cm x 29.7cm

Coloured pencil on 220gsm cartridge paper. 42 x 29.7 cm.

Coloured pencil and gouache on 220gsm cartridge paper. 42 x 29.7 cm.

Coloured pencils and fine-liner on 220gsm paper. 59.4cm x 84.1cm

9 acrylic painted and varnished wooden signs, of various sizes and shapes, 2024.

'Regurgitate' I, II and III. A1 (33.1 x 23.4 in) prints of existing pencil drawings, spliced together using paper weaving. 3 pieces in total made from 6 prints, 2024.

A3, 220gsm cartridge paper, coloured pencil and fine-liner drawing, digitally edited to remove paper background and alter colour brightness.

Coloured pencil and fine-liner on 220gsm cartridge paper, 2024. 16.5 x 23.4 in.

Coloured pencil, gouache paint, metal nails, 220gsm cartridge paper, A1.

Coloured pencil, gouache paint, and fine-liner on 220gsm cartridge paper, A3.

Coloured pencil and gouache paint on 220 gsm cartridge paper, A3

Coloured pencil and gouache paint on 220gsm cartidge paper, A3. (Nail holes in corners from display).

Abstract squares painting, gouache paint, coloured pencils and fineliner. A2 size, 2023.

Magazine cut out collage, weaving, acrylic paint, embroidery thread, various sizes.

Embroidery thread and coloured pencil collage on fabric, 2023.

Wallpaper, gouache paint, coloured pencil, 12.5 x 17.7in.

1. Wallpaper, gouache paint, 23.386 x 33.110in (2023). 2. Wallpaper, gouache paint, coloured pencil, 55cm x 35cm (2023).

Fabric, embroidery thread, coloured pencil collage, 8 x 5in.

Inspired by David Cronenberg’s ‘Dead Ringers’ (1988), most notably the opening credits sequence. Made with acetate, paint markers, embroidery thread, and a wire coat hanger, the piece explores themes of conjoined twins, abortion, and viewing motherhood and birth through a cynical and morbid lens. The piece was made for an ongoing project delving into the concepts of ‘shock art’, and controversial or taboo themes, finding new ways to preset ideas through experimental methods and twisting the original meanings of ‘traditional objects’ (eg: baby mobiles).

Magazine cut outs, embroidery thread, tracing paper, alcohol marker collage, 13 x 10in.

Fabric, embroidery thread, acrylic paint, watercolour pencil collage, 11.69 x 16.54 in.

Plastic bag, magazine cut out collage, embroidery thread, acrylic paint, masking tape, tracing paper, 30 x 30cm.

Magazine cutout collage, embroidery thread, acrylic paint, 11.69 x 16.54 in.